Authors/Aristotle/metaphysics/l1/c1

Chapter 1

Greek	Latin	English
	METHAPHISICE ARISTOTILIS LIBER PRIMUS	Book 1 (A)
[980α] [21] πάντες ἄνθρωποι τοῦ εἰδέναι ὀρέγονται φύσει. σημεῖον δ᾽ ἡ τῶν αἰσθήσεων ἀγάπησις: καὶ γὰρ χωρὶς τῆς χρείας ἀγαπῶνται δι᾽ αὑτάς, καὶ μάλιστα τῶν ἄλλων ἡ διὰ τῶν ὀμμάτων. οὐ γὰρ μόνον ἵνα πράττωμεν ἀλλὰ καὶ μηθὲν [25] μέλλοντες πράττειν τὸ ὁρᾶν αἱρούμεθα ἀντὶ πάντων ὡς εἰπεῖν τῶν ἄλλων. αἴτιον δ᾽ ὅτι μάλιστα ποιεῖ γνωρίζειν ἡμᾶς αὕτη τῶν αἰσθήσεων καὶ πολλὰς δηλοῖ διαφοράς.	Omnes homines natura scire desiderant. Signum autem↵, est sensuum dilectio; praeter enim et utilitatem propter se ipsos diliguntur, et maxime aliorum qui est per oculos. Non enim solum ut agamus sed et nihil agere debentes ipsum videre ↵pre omnibus ut dicam aliis eligimus. Causa autem est quia hic maxime sensuum cognoscere nos facit et multas differentias demonstrat.	Chapter 1. [980 a1] ALL men by nature desire to know. An indication of this is the delight we take in our senses; for even apart from their usefulness they are loved for themselves; and above all others the sense of sight. For not only with a view to action, but even when we are not going to do anything, we prefer seeing (one might say) to everything else. The reason is that this, most of all the senses, makes us know and brings to light many differences between things.
φύσει μὲν οὖν αἴσθησιν ἔχοντα γίγνεται τὰ ζῷα, ἐκ δὲ ταύτης αἰσθήσεως τοῖς μὲν αὐτῶν οὐκ ἐγγίγνεται μνήμη, τοῖς δ᾽ ἐγγίγνεται. [980β] [21] καὶ διὰ τοῦτο ταῦτα φρονιμώτερα καὶ μαθητικώτερα τῶν μὴ δυναμένων μνημονεύειν ἐστί, φρόνιμα μὲν ἄνευ τοῦ μανθάνειν ὅσα μὴ δύναται τῶν ψόφων ἀκούειν (οἷον μέλιττα κἂν εἴ τι τοιοῦτον ἄλλο γένος ζῴων ἔστι), μανθάνει [25] δ᾽ ὅσα πρὸς τῇ μνήμῃ καὶ ταύτην ἔχει τὴν αἴσθησιν.	Animalia quidem igitur natura sensum habentia fiunt, ex sensu autem quibusdam quidem ipsorum memoria non infit, quibusdam vero fit. Et propter hoc alia quidem ↵prudentia sunt, alia vero disciplinabiliora non potentibus memorari. Prudentia quidem sunt sine addiscere quecumque sonos audire non potentia sunt, ut apis et utique si aliquod aliud genus animalium huiusmodi est; addiscunt autem quae↵cumque cum memoria et hunc habent sensum.	By nature animals are born with the faculty of sensation, and from sensation memory is produced in some of them, though not in others. And therefore the former are more intelligent and apt at learning than those which cannot remember; those which are incapable of hearing sounds are intelligent though they cannot be taught, e.g. the bee, and any other race of animals that may be like it; and those which besides memory have this sense of hearing can be taught.
τὰ μὲν οὖν ἄλλα ταῖς φαντασίαις ζῇ καὶ ταῖς μνήμαις, ἐμπειρίας δὲ μετέχει μικρόν: τὸ δὲ τῶν ἀνθρώπων γένος καὶ τέχνῃ καὶ λογισμοῖς. γίγνεται δ᾽ ἐκ τῆς μνήμης ἐμπειρία τοῖς ἀνθρώποις: αἱ γὰρ πολλαὶ μνῆμαι τοῦ αὐτοῦ πράγματος μιᾶς ἐμπειρίας δύναμιν ἀποτελοῦσιν. [981α] [1] καὶ δοκεῖ σχεδὸν ἐπιστήμῃ καὶ τέχνῃ ὅμοιον εἶναι καὶ ἐμπειρία, ἀποβαίνει δ᾽ ἐπιστήμη καὶ τέχνη διὰ τῆς ἐμπειρίας τοῖς ἀνθρώποις: ἡ μὲν γὰρ ἐμπειρία τέχνην ἐποίησεν, ὡς φησὶ Πῶλος, ἡ [5] δ᾽ ἀπειρία τύχην. γίγνεται δὲ τέχνη ὅταν ἐκ πολλῶν τῆς ἐμπειρίας ἐννοημάτων μία καθόλου γένηται περὶ τῶν ὁμοίων ὑπόληψις. τὸ μὲν γὰρ ἔχειν ὑπόληψιν ὅτι Καλλίᾳ κάμνοντι τηνδὶ τὴν νόσον τοδὶ συνήνεγκε καὶ Σωκράτει καὶ καθ᾽ ἕκαστον οὕτω πολλοῖς, ἐμπειρίας ἐστίν: [10] τὸ δ᾽ ὅτι πᾶσι τοῖς τοιοῖσδε κατ᾽ εἶδος ἓν ἀφορισθεῖσι, κάμνουσι τηνδὶ τὴν νόσον, συνήνεγκεν, οἷον τοῖς φλεγματώδεσιν ἢ χολώδεσι [ἢ] πυρέττουσι καύσῳ, τέχνης.	Alia quidem igitur ymaginationibus et memoriis vivunt, experimenti autem parum participant; hominum autem genus arte et rationibus. > Fit autem ex memoria hominibus experimentum; eiusdem nam↵quae rei multe memorie unius experientie potentiam faciunt. Et fere videtur scientie et arti simile experimentum esse, hominibus autem scientia et ars per experientiam evenit; experientia qui↵dem enim artem fecit, sicut ait Polus recte dicens, sed inexperientia casum. Fit autem ars cum ex multis experimentalibus conceptionibus una fit universalis de similibus acceptio. Acceptionem quidem enim habere quod callie et Socrati hac egritudine laborantibus hoc contulit et ita multis singula↵rium, experimenti est; quod autem omnibus huiusmodi secundum autem unam speciem determinatis, hac egritudine laborantibus, contulit, ut flegmaticis aut colericis aut estu febricitantibus *, artis est.	The animals other than man live by appearances and memories, and have but little of connected experience; but the human race lives also by art and reasonings. Now from memory experience is produced in men; for the several memories of the same thing produce finally the capacity for a single experience. [81a] And experience seems pretty much like science and art, but really science and art come to men through experience; for ‘experience made art’, as Polus says, ‘but inexperience luck.’ Now art arises when from many notions gained by experience one universal judgement about a class of objects is produced. For to have a judgement that when Callias was ill of this disease this did him good, and similarly in the case of Socrates and in many individual cases, is a matter of experience; but to judge that it has done good to all persons of a certain constitution, marked off in one class, when they were ill of this disease, e.g. to phlegmatic or bilious people when burning with fevers-this is a matter of art.
πρὸς μὲν οὖν τὸ πράττειν ἐμπειρία τέχνης οὐδὲν δοκεῖ διαφέρειν, ἀλλὰ καὶ μᾶλλον ἐπιτυγχάνουσιν οἱ ἔμπειροι τῶν ἄνευ τῆς ἐμπειρίας [15] λόγον ἐχόντων (αἴτιον δ᾽ ὅτι ἡ μὲν ἐμπειρία τῶν καθ᾽ ἕκαστόν ἐστι γνῶσις ἡ δὲ τέχνη τῶν καθόλου, αἱ δὲ πράξεις καὶ αἱ γενέσεις πᾶσαι περὶ τὸ καθ᾽ ἕκαστόν εἰσιν: οὐ γὰρ ἄνθρωπον ὑγιάζει ὁ ἰατρεύων ἀλλ᾽ ἢ κατὰ συμβεβηκός, ἀλλὰ Καλλίαν ἢ Σωκράτην ἢ τῶν ἄλλων τινὰ [20] τῶν οὕτω λεγομένων ᾧ συμβέβηκεν ἀνθρώπῳ εἶναι: ἐὰν οὖν ἄνευ τῆς ἐμπειρίας ἔχῃ τις τὸν λόγον, καὶ τὸ καθόλου μὲν γνωρίζῃ τὸ δ᾽ ἐν τούτῳ καθ᾽ ἕκαστον ἀγνοῇ, πολλάκις διαμαρτήσεται τῆς θεραπείας: θεραπευτὸν γὰρ τὸ καθ᾽ ἕκαστον):	Ad agere quidem igitur experientia * nihil ab arte differre ↵ videtur, sed et expertos magis proficere videmus sine experientia rationem habentibus. Causa autem est quia experientia quidem singularium est cognitio, ars vero universalium, actus autem et omnes generationes circa singulare sunt. Non enim hominem medicans sanat nisi secundum accidens, sed * Cal↵liam aut Socratem aut aliquem sic dictorum cui esse hominem accidit. Si igitur sine experimento quis rationem habeat et universale quidem cognoscat, in hoc autem singulare ignoret, multotiens quidem curatione peccabit; singulare namque magis ↵ curabile est.	With a view to action experience seems in no respect inferior to art, and men of experience succeed even better than those who have theory without experience. (The reason is that experience is knowledge of individuals, art of universals, and actions and productions are all concerned with the individual; for the physician does not cure man, except in an incidental way, but Callias or Socrates or some other called by some such individual name, who happens to be a man. If, then, a man has the theory without the experience, and recognizes the universal but does not know the individual included in this, he will often fail to cure; for it is the individual that is to be cured.)
ἀλλ᾽ ὅμως τό γε εἰδέναι καὶ τὸ ἐπαΐειν τῇ [25] τέχνῃ τῆς ἐμπειρίας ὑπάρχειν οἰόμεθα μᾶλλον, καὶ σοφωτέρους τοὺς τεχνίτας τῶν ἐμπείρων ὑπολαμβάνομεν, ὡς κατὰ τὸ εἰδέναι μᾶλλον ἀκολουθοῦσαν τὴν σοφίαν πᾶσι: τοῦτο δ᾽ ὅτι οἱ μὲν τὴν αἰτίαν ἴσασιν οἱ δ᾽ οὔ. οἱ μὲν γὰρ ἔμπειροι τὸ ὅτι μὲν ἴσασι, διότι δ᾽ οὐκ ἴσασιν: οἱ δὲ τὸ διότι [30] καὶ τὴν αἰτίαν γνωρίζουσιν. διὸ καὶ τοὺς ἀρχιτέκτονας περὶ ἕκαστον τιμιωτέρους καὶ μᾶλλον εἰδέναι νομίζομεν τῶν χειροτεχνῶν καὶ σοφωτέρους, [981β] [1] ὅτι τὰς αἰτίας τῶν ποιουμένων ἴσασιν (τοὺς δ᾽, ὥσπερ καὶ τῶν ἀψύχων ἔνια ποιεῖ μέν, οὐκ εἰδότα δὲ ποιεῖ ἃ ποιεῖ, οἷον καίει τὸ πῦρ: τὰ μὲν οὖν ἄψυχα φύσει τινὶ ποιεῖν τούτων ἕκαστον τοὺς δὲ χειροτέχνας [5] δι᾽ ἔθος), ὡς οὐ κατὰ τὸ πρακτικοὺς εἶναι σοφωτέρους ὄντας ἀλλὰ κατὰ τὸ λόγον ἔχειν αὐτοὺς καὶ τὰς αἰτίας γνωρίζειν.	Sed tamen scire et intelligere magis arte quam experimento esse arbitramur, et artifices expertis sapientiores esse opinamur, tamquam magis secundum scire sapientia omniƿbus sequente. Hoc autem est quia hii quidem causam sciunt, illi vero non. Experti quidem enim ipsum quia sciunt, sed propter quid nesciunt; hii autem et propter quid et causam ↵ cognoscunt. Unde et architectores circa quodlibet honorabiliores et magis scire manu artificibus putamus et sapientio ↵ res, quia factorum causas sciunt; illos vero, sicut quedam inanimatorum faciunt quidem, non scientia autem faciunt quae faciunt, ut * ignis exurit — inanimata igitur quidem natura quadam horum unumquodque facere, sed manu artifices propter consuetudinem. Tamquam non secundum practicos ↵ esse sapientiores sint, sed secundum quod rationem habent ipsi et causas cognoscunt.	But yet we think that knowledge and understanding belong to art rather than to experience, and we suppose artists to be wiser than men of experience (which implies that Wisdom depends in all cases rather on knowledge); and this because the former know the cause, but the latter do not. For men of experience know that the thing is so, but do not know why, while the others know the ‘why’ and the cause. Hence we think also that the masterworkers in each craft are more honourable and know in a truer sense and are wiser [81b] than the manual workers, because they know the causes of the things that are done (we think the manual workers are like certain lifeless things which act indeed, but act without knowing what they do, as fire burns, - but while the lifeless things perform each of their functions by a natural tendency, the labourers perform them through habit); thus we view them as being wiser not in virtue of being able to act, but of having the theory for themselves and knowing the causes.
ὅλως τε σημεῖον τοῦ εἰδότος καὶ μὴ εἰδότος τὸ δύνασθαι διδάσκειν ἐστίν, καὶ διὰ τοῦτο τὴν τέχνην τῆς ἐμπειρίας ἡγούμεθα μᾶλλον ἐπιστήμην εἶναι: δύνανται γάρ, οἱ δὲ οὐ δύνανται διδάσκειν. [10]	Et omnino scientis signum est * posse docere, et ob hoc artem magis experimento scientiam esse existimamus; possunt enim hii, hii autem docere non possunt.	And in general it is a sign of the man who knows and of the man who does not know, that the former can teach, and therefore we think art more truly knowledge than experience is; for artists can teach, and men of mere experience cannot.
ἔτι δὲ τῶν αἰσθήσεων οὐδεμίαν ἡγούμεθα εἶναι σοφίαν: καίτοι κυριώταταί γ᾽ εἰσὶν αὗται τῶν καθ᾽ ἕκαστα γνώσεις: ἀλλ᾽ οὐ λέγουσι τὸ διὰ τί περὶ οὐδενός, οἷον διὰ τί θερμὸν τὸ πῦρ, ἀλλὰ μόνον ὅτι θερμόν.	Amplius autem sensuum neque unum sapientiam esse ponimus, ↵ cum et hiis singulorum cognitiones maxime proprie sint; sed propter quid de nullo dicunt, ut propter quid ignis calidus, sed quia calidus solum sit.	Again, we do not regard any of the senses as Wisdom; yet surely these give the most authoritative knowledge of particulars. But they do not tell us the ‘why’ of anything-e.g. why fire is hot; they only say that it is hot.
τὸ μὲν οὖν πρῶτον εἰκὸς τὸν ὁποιανοῦν εὑρόντα τέχνην παρὰ τὰς κοινὰς αἰσθήσεις θαυμάζεσθαι [15] ὑπὸ τῶν ἀνθρώπων μὴ μόνον διὰ τὸ χρήσιμον εἶναί τι τῶν εὑρεθέντων ἀλλ᾽ ὡς σοφὸν καὶ διαφέροντα τῶν ἄλλων: πλειόνων δ᾽ εὑρισκομένων τεχνῶν καὶ τῶν μὲν πρὸς τἀναγκαῖα τῶν δὲ πρὸς διαγωγὴν οὐσῶν, ἀεὶ σοφωτέρους τοὺς τοιούτους ἐκείνων ὑπολαμβάνεσθαι διὰ τὸ μὴ πρὸς [20] χρῆσιν εἶναι τὰς ἐπιστήμας αὐτῶν. ὅθεν ἤδη πάντων τῶν τοιούτων κατεσκευασμένων αἱ μὴ πρὸς ἡδονὴν μηδὲ πρὸς τἀναγκαῖα τῶν ἐπιστημῶν εὑρέθησαν, καὶ πρῶτον ἐν τούτοις τοῖς τόποις οὗ πρῶτον ἐσχόλασαν: διὸ περὶ Αἴγυπτον αἱ μαθηματικαὶ πρῶτον τέχναι συνέστησαν, ἐκεῖ γὰρ ἀφείθη σχολάζειν [25] τὸ τῶν ἱερέων ἔθνος.	Primum quidem igitur conveniens est quamlibet artem invenientem ultra communes sensus ab hominibus mirari, non 981b15 solum propter aliquam inventorum utilitatem, sed sicut sapientem et ab aliis differentem. Pluribus autem repertis artibus ƿ et aliis quidem ad necessaria * aliis vero ad introductionem existentibus, semper tales sapientiores illis esse arbitrandum ↵ est propter id quod illorum scientie ad usum non sunt. Unde iam omnibus talibus institutis, quae non ad voluptatem neque ad necessaria scientiarum reperte sunt, et primum * in hiis locis ubi vacabant. Unde circa Egyptum mathematice artes ↵ primum constiterunt; ibi namque gens sacerdotum vacare dimissa est.	At first he who invented any art whatever that went beyond the common perceptions of man was naturally admired by men, not only because there was something useful in the inventions, but because he was thought wise and superior to the rest. But as more arts were invented, and some were directed to the necessities of life, others to recreation, the inventors of the latter were naturally always regarded as wiser than the inventors of the former, because their branches of knowledge did not aim at utility. Hence when all such inventions were already established, the sciences which do not aim at giving pleasure or at the necessities of life were discovered, and first in the places where men first began to have leisure. This is why the mathematical arts were founded in Egypt; for there the priestly caste was allowed to be at leisure.
εἴρηται μὲν οὖν ἐν τοῖς ἠθικοῖς τίς διαφορὰ τέχνης καὶ ἐπιστήμης καὶ τῶν ἄλλων τῶν ὁμογενῶν: οὗ δ᾽ ἕνεκα νῦν ποιούμεθα τὸν λόγον τοῦτ᾽ ἐστίν, ὅτι τὴν ὀνομαζομένην σοφίαν περὶ τὰ πρῶτα αἴτια καὶ τὰς ἀρχὰς ὑπολαμβάνουσι πάντες: ὥστε, καθάπερ εἴρηται πρότερον, [30] ὁ μὲν ἔμπειρος τῶν ὁποιανοῦν ἐχόντων αἴσθησιν εἶναι δοκεῖ σοφώτερος, ὁ δὲ τεχνίτης τῶν ἐμπείρων, χειροτέχνου δὲ ἀρχιτέκτων, αἱ δὲ θεωρητικαὶ τῶν ποιητικῶν μᾶλλον. [982α] [1] ὅτι μὲν οὖν ἡ σοφία περί τινας ἀρχὰς καὶ αἰτίας ἐστὶν ἐπιστήμη, δῆλον.	In Moralibus quidem igitur quae sit artis et scientie differentia et similium generum dictum est; cuius autem gratia nunc sermonem facimus hoc est, quia nominatam sapientiam circa primas causas et principia existimant omnes. Quare, sicut dic↵tum est prius, expertus quidem quemcumque sensum habentibus sapientior esse videtur, artifex autem expertis, architec↵ton autem manu artifice, speculative autem magis activis. Quod quidem igitur sapientia * circa quasdam causas et principia sit scientia, manifestum est.	We have said in the Ethics what the difference is between art and science and the other kindred faculties; but the point of our present discussion is this, that all men suppose what is called Wisdom to deal with the first causes and the principles of things; so that, as has been said before, the man of experience is thought to be wiser than the possessors of any sense-perception whatever, the artist wiser than the men of experience, the masterworker than the mechanic, and the theoretical kinds of knowledge to be more of the nature of Wisdom than the productive. Clearly then Wisdom is knowledge about certain principles [82a] and causes.